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Writings
- Acting – The Ephemeral Art?, pp. 1-4.
- Aesthetics of the Moving Image – Foreword, pp. 1-8.
- A Guide to Teaching – Filmmaking as Artistic Expression, Filmmakers Newsletter, February 1973, pp. 1-4.
- A Master of The Epic Cinema – Sergio Leone, pp. 1-4.
- A Page of Madness: A Neglected Masterpiece of the Silent Cinema, Film Criticism, Vol. VIII, No. 1, Fall 1983, pp. 86-106.
- Cinema As an Art Form
- Cinematic Analysis – Forward
- Cinematic Integration, pp. 1-3.
- Cognitive and Emotional Aspect of Photography
- Constructivism in Film, A Cinematic Analysis – The Man with the Movie Camera, Chapter IV, Cambridge University Press, 2012, pp. 201-220.
- D. W. Griffith’s A Corner in Wheat – A Critical Analysis, University Film Study Center, 1975, pp. 1-6.
- Dziga Vertov and the Soviet Avant-garde Movement, Soviet Union/Union Sovietique, 10, Pt. 1 (1983), pp. 1-58.
- Dziga Vertov as Theorist, Cinema Journal, No. 1, Fall 1978, pp. 29-34.
- Godard’s Cinematic Oneirism, pp. 1-3.
- Griffith’s The Avenging Conscience: An Early Dream Film, Film Criticism, Vol. 6, No. 2, Winter 1982, pp. 5-27.
- Editing and Montage, pp. 1-9.
- Electronic Revolution in Film I, II
- Film and Dreams. An Approach to Bergman, Chapter I, Redgrave, 1981, pp. 1-51.
- Film and Dreams. An Approach to Bergman, Chapter X, Redgrave, 1981, pp. 157-186.
- Filmed Theatre, pp. 1-4.
- Filmic and Cinematic, Excerpt from a book titled Cinematic Analysis, pp. 1-3.
- Film-Novel, pp. 1-10.
- For a close cinematic analysis, Quarterly Review of Film & Video, Vol. 1, November 1976, Issue 4, pp. 453-477.
- Function of Color and Composition in Antonioni’s Red Desert
- Ideology
- Information, Knowledge and Understanding in Photography
- Inside Soviet Film Satire, Chapter VI, Cambridge University Press, 1993, pp. 67-73.
- L’Ange, Patrick Bokanovski
- Light and Tonality
- Natural Born Killers, pp. 1-4.
- Maya Deren
- Mise-en-Scene
- Neo-aesthetics of Cinema – An Introduction
- Optical Distortions
- Photography: Reality and Art
- Power of Authentication: Encounter with Aaron Siskind
- Shock Strategy in Bunuel’s An Andalusian Dog, pp. 1-3.
- Survey of Theoretical Concepts, pp. 1-11.
- Symphony of Hands
- Taking Down “The Wall of Memories“
- Talking with Orson Welles, pp. 1-4.
- Tarkovsky’s Dream Imagery, Film Quarterly (1989-1990), Vol. 43, No. 2, pp. 28-34.
- The Language of the Silent Cinema 1895-1929, pp. 1-5.
- The Vertov Dilemma: Film-Eye vs Film-Truth, Spectator, 1991, pp. 6-17.
- Two Lincoln Assassinations by D. W. Griffith, Quarterly Review of Film & Video, Vol. 3, Summer 1978, Issue 3, pp. 345-369.
- Vertov, Lenin, and Perestroika, the cinematic transposition of reality, Historical Journal of Film, Radio and Television, Vol. 15, 1995, pp. 3-17.
- What is Close Cinematic Analysis?
- Zelig – Reality and Mith (Table of Content)
