Kinopravda Institute is a factory of ideas exploring the various horizons of cinematic arts in the 21st century. Through a multidisciplinary program that operates along the axis of research-curation the Institute develops and presents creative work for audiences both offline and online. Kinopravda Institute is an independent initiative of the Vlada Petrić Foundation, based in Belgrade, Serbia and operating internationally.

Kinopravda Institute derives its name from the film series by legendary Soviet filmmaker and theorist Dziga Vertov. KINOPRAVDA is a double-homage, also to Vlada Petrić who was Henry Luce Chair of Cinema at Harvard University, and whose namesake foundation provides support for the Institute. Petrić’s book Constructivism in Film is the defining English-language monograph on Vertov’s life and work.

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Vlada Petrić

Biography

The life and work of Vlada Petrić, Henry Luce Chair of Cinema at Harvard University and co-founder of the Harvard Film Archive.

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Bibliography

Books, essays and articles written by Vlada Petrić.

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Filmography

Films, videos and television programs directed by Vlada Petrić.

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News

Igor Bošnjak participates in EVROVIZION in Moldova

September 9th 2026

Throughout September and October 2026, the Moldovan capital of Chișinǎu is hosting EVROVIZION. CROSSING STORIES AND SPACES, an international art travelling exhibition, a project organized by the German Institute for Foreign Cultural Relations – ifa. The exhibition opened on 8 September at the Muzeul Național de Artǎ al Moldovei.

Delving deeply into the social and political climate of Europe, with a major focus on the evolution of a common European identity, the ifa’s project gathers together a group of artists whose works contemplate issues of marginalized cultural spaces, togetherness, biopolitics, and emancipation. Among the artists presenting is Igor Bošnjak, with his video installation Perverted Gaze, a provocative work in which footage of six border crossings in Bosnia and Herzegovina is captured using a drone.

Bošnjak’s art distinguishes itself for its application of drone technology, 3D engines and painting to artistically reveal the disconnect between official maps and lived human experience, and to subvert the gaze of surveillance and power. A selection of his works are available for rental through Kinopravda Institute’s distribution catalogue. For more information, please direct your inquiries to → [email protected]

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