Kinopravda Institute participates in Open Circuits Revisited

October 20 2024

Electronic Arts Intermix (EAI), the legacy New York nonprofit arts organization which has been supporting video and media art since its establishment in 1971, has organized a conference + series of public programs to commemorate the 50th anniversary of the groundbreaking conference Open Circuits: An International Conference on the Future of Television.

Distributors, researchers, curators, writers and others explored topics such as the relationship between video and television technologies and democracy in the United States; randomness, noise and error in media practice; and the preservation, distribution, and accessibility of video art. Greg de Cuir, Artistic Director of Kinopravda Institute, participated in Open Circuits Revisited as part of the Institute’s initiative to expand cooperation and research with like-minded institutions. More information about Open Circuits Revisited can be found → here

It Rains Differently – Reforesting the Pešter Plateau

August 13 2024

As our societies become more dependent on and integrated with technology, it is important to remember the importance that forests have for the future. This is what Dušica Dražić, artist and independent curator, had in mind when she decided to initiate a twofold project: the reforestation of the karst region of the Pešter Plateau and the shooting of a docu-film which would record this endeavor for posterity.

In the period between 1973 and 1988, a series of Youth Work Actions held during the summer gathered together thousands of youth from all over Yugoslavia to volunteer in the reforestation of the region. The artist’s father, Milutin Dražić, a forest engineer, led the project and oversaw its realization. Through this undertaking, the author intends to replicate her father’s achievement, but also to uncover the deeper significance of the forest as an entity that acquires the nature of a transnational, political, social and cultural collective. This initiative lasts from August 18 to August 25. Follow the volunteers and Dušica on their adventure here -> https://www.dusicadrazic.com/it-rains-differently/

Doplgenger exhibits on two continents

31 July 2024

The artist duo Doplgenger are participating in two exhibitions that are continents apart yet tied together thematically by their desire to address the influence that political and economic forces have on the well-being of the social body. In the exhibition at the Serbian Academy of Sciences and Arts in Belgrade, which is dedicated to the life and works of the Serbian artist Djordje Andrejević-Kun, Doplgenger has pieced together archival footage that documents his life and artistic career, conveying the audiovisual sensations that were formative in creating Kun’s aesthetic outlook. The exhibition is on view through September 8, 2024.

The other exhibition, titled “Power Plays”, revolves around the sports film genre, focusing more specifically on the forces which serve as the driving engine for the global sports media complex. The Carnegie Museum in Pittsburgh has assembled seven artists who each provide a glimpse into this fascinating world through their own unique approach. Doplgenger is showing Fragments Untitled #6, a short which dissects the politics and media perception of a football match that was to be played in Zagreb in 1990.

Visit our distribution page for more information on Doplgenger and available works by the artist duo for screen programs and gallery exhibitions.

Kinopravda Institute presents distribution program at Kratki utorak in Zagreb

3 July 2024

Kinopravda Institute will present a selection of works by artists in its distribution program as part of the ongoing screen series Kratki utorak (Short Tuesdays) in Zagreb. The screening will take place at Dokukino KIC on July 23, 2024. After the screening there will be a panel discussion on the issues and challenges which arise in the production, distribution and exhibition of film art and video art. Further program details will be announced soon.

With its distribution program, Kinopravda Institute seeks to amplify the work of film artists and video artists in Southeast Europe. The program specializes in experimental and alternative forms of moving image art. Information on the artists and their works in distribution can be found here.

Armando Lulaj in distribution with Kinopravda Institute

12 June 2024

We are excited to announce that the visual artist and filmmaker Armando Lulaj is now part of the distribution program at Kinopravda Institute. Lulaj has maintained a politically provocative and formally adventurous moving image practice since 1999. His work is oriented towards the border between economic power, fictional democracy and social disparity in a global context.

Lulaj co-founded the DebatikCenter of Contemporary Art in 2003 in Tirana, which is a space that offers the necessary tools to imagine alternative futures and strategies of resistance to the status quo. His works have been shown at the Prague Biennial (2003, 2007), the 6th Berlin Biennial (2010), the 52nd Venice Biennial (2007), the 63rd Berlin International Film Festival (2013), the National Theater in Tirana (2013), and he represented Albania at the 56th Venice Biennial (2015). For information on the video works by Lulaj that we are representing please check our distribution page, and for any inquiries please contact us at → [email protected]

Emily Dickinson: Three B’s screening at Beldocs film festival

8 May 2024

Beldocs International Documentary Film Festival in Belgrade will host the premiere screening of Vlada Petrić’s posthumous video essay, Emily Dickinson: Three B’s, on 24 May 2024. Petrić was fascinated by the life and poetic imagination of Emily Dickinson, especially with regards to her relationship towards religion. During the last decade of his life, he and his wife Dara Čalenić collaborated on this personal pilgrimage through Dickinson’s writings.

Petrić finished the final edit of this video essay just a few months before his death in November 2019. Kinopravda Institute has worked with particular dedication in the years following to add the final touches in post-production, completing this process in 2023. We are excited to present to the world this final work by the man whose personality and career has been an inspiration to us and whose studies in cinematography serve as a beacon for our team. Kinopravda Institute is distributing Emily Dickinson: Three B’s, along with earlier works of film and video by Vlada Petric. View the distribution catalog at the site link here.

Doplgenger exhibiting at Tranzit.sk in Bratislava

24 April 2024

Tranzit.sk is running an exhibition from Apr. 11th to Jul. 12th 2024, which is dedicated to exploring the themes of colonialism, imperialism and decolonization as they pertain to the regions of East Central and South Eastern Europe during the Cold War and how, despite not being directly involved in these practices, these regions on the Western European periphery were nevertheless entangled in the events which shaped the public discourse in the Global North and South.

Several artists have been invited to contribute works which touch upon narratives of decoloniality, oppression and racist ideology as they were manifested in their respective societies. Among the artists being featured, the artistic duo Doplgenger is displaying a short documentary that uncovers the anti-colonial histories of Czechoslovakia and Yugoslavia. On April 25th they are holding a masterclass which will attempt to resolve the question of the status of archival footage, the politics behind film form and how the filmmaker/artist can find their own place in the current ever-shifting circumstances. For more on Look A – way and Doplgenger’s masterclass, please check here and here.

Kinopravda Institute partners with Faculty of Media and Communications in Belgrade

10 April 2024

We are excited to announce that Kinopravda Institute and the Faculty of Media and Communications (Fakultet za medije i komunikacije) in Belgrade have entered into a partnership. The partnership is part of an initiative to establish broad cooperation between the two institutions in the fields of research and education in film history and film culture.

Kinopravda Institute will open an office at FMK as well as a dedicated exhibition space. The Institute’s paper archive, which includes books and documents from the collection of Vlada Petric, will be housed at the FMK library. Faculty of Media and Communications is an educational institution dedicated to fostering new thought in the social sciences and humanities. FMK offers degree programs at the undergraduate, graduate and post-graduate levels.

Submissions for Alternative Film Video 2024 are now open

29/03/2024

The international competition at Alternative Film Video features recent moving image works that challenge the status quo of aesthetics and politics in contemporary film and video practices.

AFV assembles a jury every year with the task of nominating works in the international competition to the festival’s List of Outstanding Achievements. All artists placed on this list are eligible for a residency at Academic Film Center in Belgrade (Serbia) and production support for a new work (pending available resources). The jury also selects a recipient of the Sonja Savic Award, given to an outstanding female-identifying artist in the international competition. This award is presented in partnership with Gallery Nadezda Petrovic (Cacak, Serbia) and includes a residency and a solo exhibition at the Gallery.

Submissions to the international competition are free of charge. Alternative Film Video will be presented at Students City Cultural Center in Belgrade from 4-7 December 2024. Enter your work at this link –> https://tally.so/r/woMqde. For updates follow the AFV channel here –> https://t.me/alternativefilmvideo.

Refractions: an intermedia performance by Vladislav Knežević

20/03/2024

Vladislav Knežević, artist and filmmaker, is holding an intermedia performance at the Museum of Contemporary Art in Zagreb. The performance is a reinterpretation of Stéphane Mallarmé’s cult poem “A Throw of the Dice will Never Abolish Chance”, his final major work, which he wrote in 1897.

The artist has engaged the text of this poem through his own cinematic lens, drawing on various associations that elude description. His performance is accompanied by the unique sonic landscapes of Alen and Nenad Sinkauz, with the first-time cooperation of French vocalist, Isabelle Duthoit. The performance will be staged in the Gorgona Hall of the Museum of Contemporary Art Zagreb on March 28 2024 at 8:00 p.m. More information about the event can be accessed here → http://www.msu.hr/dogadanja/refrakcije-refractions-intermedijski-slucaj/1417.html